[{"id":21975,"url":"http://www165.123.244.137/subject/21975/","title":"13880A","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"13880A","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 67 no. 44\r\n'U13880a, BM. U13880b, UM 31.16.615. U18399, UM 33.35.300. (UE 3:461. Moorey 461. All SIS4. H 3.5, L 8.2. Complete impression surviving. Symbols: spouted pot, edinnu, ? \r\nU13880a. Sealing 8.8 x 7.0 x 1.3. Two rollings. Thin, ?at tongue of clay with level surfaces. Functional type: test strip.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Geometrical design.  two pieces joined (one found several days later)  This is rather a Tablet than a jar-sealing.  Also antoher tablet with same impression.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4 (Burnt stratum: clay burnt white.  NW of post CD)","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":14199,"url":"http://www165.123.244.137/subject/14199/","title":"13880B | 31-16-615","control_properties":[{"property":"Museum","value":"University of Pennsylvania Museum","inline":"","footnote":""},{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Iconography","value":"Geometric Decoration","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"13880B","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 67 no. 44\r\n'U13880a, BM. U13880b, UM 31.16.615. U18399, UM 33.35.300. (UE 3:461. Moorey 461. All SIS4. H 3.5, L 8.2. Complete impression surviving. Symbols: spouted pot, edinnu, ? \r\nU.13880b. Sealing 9.0 x 7.2 x 1.6. One clear rolling. Thin, ?at tongue of clay, all surfaces smooth. Functional type: test strip.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal Impression.  Geometrical Design.  Two pieces joined.  one found several days later.  This is better a tablet than a jar-sealing.  Also another \"Tablet\" with same impression. ","inline_note":"","footnote":""},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Museum Number (UPM Date Reg Number)","property_value":"31-16-615","inline_note":"","footnote":""}]},{"id":14221,"url":"http://www165.123.244.137/subject/14221/","title":"13902","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"13902","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 67 no. 38\r\n'U13902. BM. Moorey 568. SIS4. H >3.0, L >5.2. One rolling and one stamp impression. Symbols: edinnu.\r\nSealing 5.4 x 6.0 x 3.7. Reverse largely broken, with hint of string. Functional type: ?'\r\n\r\nMatthews (1993) p. 67 no. 38a\r\n'U13902. Di. 2.7, circ. 8.5. Four points of a probably six or seven-pointed rosette. Note that the stamp has been pressed deeply enough into the clay to leave the impression of part of the cylinder design on the side, thus reinforcing the idea that the stamp designs were carved on the butt ends of cylinder seal'\r\n\r\nMoorey (1979) p. 110 no. 568\r\n'568 : Irregular lump of unusually light buff clay bearing part of a linear design on one side with a rosette. U. 13902: SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Geometrical designs.  see 13091","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":14263,"url":"http://www165.123.244.137/subject/14263/","title":"13944","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Museum","value":"British Museum","inline":"","footnote":""},{"property":"Culture/Period","value":"EDI-II","inline":"","footnote":""},{"property":"Technique","value":"Inscribed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"13944","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 73 no. 120\r\n'U13944. BM. UE 3:437. UET 2:320. Moorey 437. Near PG1551, probably SIS4. H >3.5, L >2.7. Two rollings and one stamp impression. Symbols in boxes in at least two registers. ?AN.\r\nSealing 5.2 x 3.7 x 1.4. Reverse has impression of single reed, di. 0.9, and no other markings. Functional type: ?reed fastening'\r\n\r\nMatthews (1993) p. 73 no. 120a\r\n'U13944. Di. 2.7, circ. 8.5. Part of ?seven- pointed rosette with border'\r\n\r\nMoorey (1979) p. 107 no. 437\r\n'The revised drawing of this impression serves to illustrate the inherent difficulties in attempting to read these designs. The relation of the geometric forms here is much more complex than Legrain allowed.\r\nU.13944 : Royal Cemetery Area : close to N.E. side of grave PG/1551, 5.20 m down in rubbish.'\r\n\r\nUE 3 p. 41 no. 437\r\n'Fragment of inscription: an-ku","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Fragment of inscription.  HC.216  UET II: 320)","inline_note":"","footnote":"Woolley's description"},{"prop":"Description (Modern)","property_value":"Object is sealed.","inline_note":"","footnote":""},{"prop":"Find Context (Catalog Card)","property_value":"PG -5.2 early rubbish close to outer face of NE wall of PG 1551 (looks like SIS 4)","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Tablet ID Number","property_value":"P338300","inline_note":"","footnote":""}]},{"id":14452,"url":"http://www165.123.244.137/subject/14452/","title":"14122","control_properties":[{"property":"Museum","value":"The National Museum of Iraq","inline":"","footnote":""},{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14122","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 66 no. 32:\r\n'U14122, IM 120934. U14123a, BM. U14123b, UM 31.16.670. U14886, BM 1930.12.13.404. UE 3:389. Moorey 389. All SIS4. H >4.4, L >9.5. Symbols: ?reed shrine ?UB, ?, ?URU2.\r\nU14122. Sealing 6.2 x 5.8 x 3.3. One 2 rolling and one stamp impression. Coarse peg impression, di. 3.0. Three rows of coarse ?bre string, sd di. 0.2, sg di. 0.3, TP 0.6, SSD: Z. Coarse straw tempered plaster impressions on base from wall surface. Functional type: door peg.'\r\n\r\nUE 3 p. 36 no. 389:\r\n'The oldest picture of the Sumerian reed shrine, brick tower with receding stages, and minor\r\n\r\nhuts and shrines. The whole is engraved with characteristic details which deserve attention. The bundles of reed which are the frame of the hut are bent over, tied together, and form a naturally arched roof. Some of the terminals are left protruding over the entrance and are built on either side into the shape of monumental horns with huge scrolls and volutes between. Our hut is very like the byre represented on the well-known Warka trough (cf. No. 34). The same reed horns, but curving inwards, are found on the Louvre fragment AO. 8842, where the volutes are replaced by three masts adorned with six balls each. The researches of R. P. Dougherty (Annual of A.S.O.R., 1925-6, Fig. 62) have shown how the same reed and matting construction is preserved to the present day in modern Iraq. And the fragments of mud plaster found at Ur near the virgin soil in Pit F prove that the origin of the custom can be traced back to the first settlers. In our case the horn and volute decoration on the top of the hut bears a curious resemblance to the oldest Sumerian crown made of one pair of horns with feathers between. The Great House, which is a title of the kings of Egypt, may have been claimed by the old Sumerian rulers, and even may be interpreted as the first element of a pictographic inscription.\r\n\r\nThe door of the shrine brings us one step nearer in our interpretation. It is almost an oval divided by four horns into four quarters. This division into four parts is essential in a series of curious pictographs on the following seals. In the sign index this pattern may be identified with the sign UB, the very sign used in the royal inscriptions to designate, in a somewhat obscure title, a power extending to the 'four corners of the world'. These four corners may be simply the four points of the compass. The sense of orientation is as old as man. It is well known that nearly all Sumerian and Babylonian buildings follow the rules of orientation, with one angle pointing east. This may prove a key to a truer interpretation of the Swastika, a design as old and universal as the sense of orientation, the whole world being limited to the circle of the horizon, with four pillars or horns supporting the sky at the four points of the compass.\r\n\r\nNext to the shrines, the brick towers on an artificial platform are a permanent feature of all Sumerian temples. Our drawing shows the details of the platform, recessed walls and stages, ramps of access, and crowning emblem-a spread eagle (?). The origin and meaning of the towers is still a moot question, but as the seat of a divine power they must belong to the same primitive cosmology as the orientated shrine.\r\n\r\nRound the two main buildings are grouped smaller huts of two types; one is arched over, the second ends in a sharp point with side buckles or horns. They may be identified in the sign index with the signs DUL, AB, and UNU, which are used to write the ideographic names of many cities and dwellings, in this case of minor importance and dependent on the main shrine. There is also a minor shrine with curved horns, and three small poles between.\r\n\r\nU. 13894, U. 14122, U. 14836, U. 14123. SIS 4. P1. 51. (P. CBS. 31.16.670.)'\r\n\r\nMoorey (1979) p. 107 no. 389:\r\n'This is a redrawing of the central part of the design which Legrain recon- structed and interpreted as a ziggurat. Though the revised version does not differ fundamentally from Legrain's, it calls attention to the fact that he rendered the design more regularly and symmetrically than the rollings allow. In doing so he gave it an architectural form which is unjustified. If it reflects a structure, as indeed seems probable, the inspiration was the patterned end of a large reed-hut (cf. W. Thesiger, The Marsh Arabs (1964), PL 94-5), rather than superimposed mud- brick structures on a platform. Legrain did not notice the  curving gable  which extends across the top of the design.\r\n\r\nU. 14233: SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Elaborate more or less geometrical design.  Hardly writing though the signs?  DDD occur.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Museum Number (IM Number)","property_value":"IM 120934","inline_note":"","footnote":""}]},{"id":14454,"url":"http://www165.123.244.137/subject/14454/","title":"14123A","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14123A","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 66 no. 32:\r\n'U14122, IM 120934. U14123a, BM. U14123b, UM 31.16.670. U14886, BM 1930.12.13.404. UE 3:389. Moorey 389. All SIS4. H >4.4, L >9.5. Symbols: ?reed shrine ?UB, ?, ?URU2.\r\nU14123a. Sealing 4.2 x 5.6 x 3.8. Two rollings. Reverse has straw impressions on one face and a smooth texture on the other, but is of unclear function. Functional type: ?'\r\n\r\nUE 3 p. 36 no. 389:\r\n'The oldest picture of the Sumerian reed shrine, brick tower with receding stages, and minor huts and shrines. The whole is engraved with characteristic details which deserve attention. The bundles of reed which are the frame of the hut are bent over, tied together, and form a naturally arched roof. Some of the terminals are left protruding over the entrance and are built on either side into the shape of monumental horns with huge scrolls and volutes between. Our hut is very like the byre represented on the well-known Warka trough (cf. No. 34). The same reed horns, but curving inwards, are found on the Louvre fragment AO. 8842, where the volutes are replaced by three masts adorned with six balls each. The researches of R. P. Dougherty (Annual of A.S.O.R., 1925-6, Fig. 62) have shown how the same reed and matting construction is preserved to the present day in modern Iraq. And the fragments of mud plaster found at Ur near the virgin soil in Pit F prove that the origin of the custom can be traced back to the first settlers. In our case the horn and volute decoration on the top of the hut bears a curious resemblance to the oldest Sumerian crown made of one pair of horns with feathers between. The Great House, which is a title of the kings of Egypt, may have been claimed by the old Sumerian rulers, and even may be interpreted as the first element of a pictographic inscription.\r\nThe door of the shrine brings us one step nearer in our interpretation. It is almost an oval divided by four horns into four quarters. This division into four parts is essential in a series of curious pictographs on the following seals. In the sign index this pattern may be identified with the sign UB, the very sign used in the royal inscriptions to designate, in a somewhat obscure title, a power extending to the 'four corners of the world'. These four corners may be simply the four points of the compass. The sense of orientation is as old as man. It is well known that nearly all Sumerian and Babylonian buildings follow the rules of orientation, with one angle pointing east. This may prove a key to a truer interpretation of the Swastika, a design as old and universal as the sense of orientation, the whole world being limited to the circle of the horizon, with four pillars or horns supporting the sky at the four points of the compass.\r\nNext to the shrines, the brick towers on an artificial platform are a permanent feature of all Sumerian temples. Our drawing shows the details of the platform, recessed walls and stages, ramps of access, and crowning emblem-a spread eagle (?). The origin and meaning of the towers is still a moot question, but as the seat of a divine power they must belong to the same primitive cosmology as the orientated shrine.\r\nRound the two main buildings are grouped smaller huts of two types; one is arched over, the second ends in a sharp point with side buckles or horns. They may be identified in the sign index with the signs DUL, AB, and UNU, which are used to write the ideographic names of many cities and dwellings, in this case of minor importance and dependent on the main shrine. There is also a minor shrine with curved horns, and three small poles between.\r\nU. 13894, U. 14122, U. 14836, U. 14123. SIS 4. Pl. 51. (P. CBS. 31.16.670.)'\r\n\r\nMoorey (1979) p. 107 no. 389:\r\n'This is a redrawing of the central part of the design which Legrain recon- structed and interpreted as a ziggurat. Though the revised version does not differ fundamentally from Legrain's, it calls attention to the fact that he rendered the design more regularly and symmetrically than the rollings allow. In doing so he gave it an architectural form which is unjustified. If it reflects a structure, as indeed seems probable, the inspiration was the patterned end of a large reed-hut (cf. W. Thesiger, The Marsh Arabs (1964), PL 94-5), rather than superimposed mud- brick structures on a platform. Legrain did not notice the  curving gable  which extends across the top of the design.\r\nU. 14233: SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impressions.  Elaborate geometrical design.  Also another [B] more fragmentary example.  ","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":14453,"url":"http://www165.123.244.137/subject/14453/","title":"14123B | 31-16-670","control_properties":[{"property":"Museum","value":"University of Pennsylvania Museum","inline":"","footnote":""},{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Iconography","value":"Geometric Decoration","inline":"","footnote":"diamond, linear, herringbone, oval"},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14123B","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 66 no. 32:\r\n'U14122, IM 120934. U14123a, BM. U14123b, UM 31.16.670. U14886, BM 1930.12.13.404. UE 3:389. Moorey 389. All SIS4. H >4.4, L >9.5. Symbols: ?reed shrine ?UB, ?, ?URU2.\r\nU14123b. Sealing 7.0 x 5.1 x 4.0. Three rollings. Reverse for the most part broken, but for traces of string, sd di. 0.3, sg di. 0.5, TP 0.9, SSD: Z. Level base from wall. Functional type: door peg.'\r\n\r\nUE 3 p. 36 no. 389:\r\n'The oldest picture of the Sumerian reed shrine, brick tower with receding stages, and minor\r\nhuts and shrines. The whole is engraved with characteristic details which deserve attention. The bundles of reed which are the frame of the hut are bent over, tied together, and form a naturally arched roof. Some of the terminals are left protruding over the entrance and are built on either side into the shape of monumental horns with huge scrolls and volutes between. Our hut is very like the byre represented on the well-known Warka trough (cf. No. 34). The same reed horns, but curving inwards, are found on the Louvre fragment AO. 8842, where the volutes are replaced by three masts adorned with six balls each. The researches of R. P. Dougherty (Annual of A.S.O.R., 1925-6, Fig. 62) have shown how the same reed and matting construction is preserved to the present day in modern Iraq. And the fragments of mud plaster found at Ur near the virgin soil in Pit F prove that the origin of the custom can be traced back to the first settlers. In our case the horn and volute decoration on the top of the hut bears a curious resemblance to the oldest Sumerian crown made of one pair of horns with feathers between. The Great House, which is a title of the kings of Egypt, may have been claimed by the old Sumerian rulers, and even may be interpreted as the first element of a pictographic inscription.\r\nThe door of the shrine brings us one step nearer in our interpretation. It is almost an oval divided by four horns into four quarters. This division into four parts is essential in a series of curious pictographs on the following seals. In the sign index this pattern may be identified with the sign UB, the very sign used in the royal inscriptions to designate, in a somewhat obscure title, a power extending to the 'four corners of the world'. These four corners may be simply the four points of the compass. The sense of orientation is as old as man. It is well known that nearly all Sumerian and Babylonian buildings follow the rules of orientation, with one angle pointing east. This may prove a key to a truer interpretation of the Swastika, a design as old and universal as the sense of orientation, the whole world being limited to the circle of the horizon, with four pillars or horns supporting the sky at the four points of the compass.\r\nNext to the shrines, the brick towers on an artificial platform are a permanent feature of all Sumerian temples. Our drawing shows the details of the platform, recessed walls and stages, ramps of access, and crowning emblem-a spread eagle (?). The origin and meaning of the towers is still a moot question, but as the seat of a divine power they must belong to the same primitive cosmology as the orientated shrine.\r\nRound the two main buildings are grouped smaller huts of two types; one is arched over, the second ends in a sharp point with side buckles or horns. They may be identified in the sign index with the signs DUL, AB, and UNU, which are used to write the ideographic names of many cities and dwellings, in this case of minor importance and dependent on the main shrine. There is also a minor shrine with curved horns, and three small poles between.\r\nU. 13894, U. 14122, U. 14836, U. 14123. SIS 4. Pl. 51. (P. CBS. 31.16.670.)'\r\n\r\nMoorey (1979) p. 107 no. 389:\r\n'This is a redrawing of the central part of the design which Legrain recon- structed and interpreted as a ziggurat. Though the revised version does not differ fundamentally from Legrain's, it calls attention to the fact that he rendered the design more regularly and symmetrically than the rollings allow. In doing so he gave it an architectural form which is unjustified. If it reflects a structure, as indeed seems probable, the inspiration was the patterned end of a large reed-hut (cf. W. Thesiger, The Marsh Arabs (1964), PL 94-5), rather than superimposed mud- brick structures on a platform. Legrain did not notice the  curving gable  which extends across the top of the design.\r\nU. 14233: SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impressions.  Elaborate geometrical design.  Also another [B] more fragmentary example.  ","inline_note":"","footnote":""},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Museum Number (UPM Date Reg Number)","property_value":"31-16-670","inline_note":"","footnote":""}]},{"id":14883,"url":"http://www165.123.244.137/subject/14883/","title":"14528","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14528","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 65 no. 27:\r\n'U14528. BM. Moorey 567. SIS4-7. H >2.6. L >4.4. Two rollings. Symbols: ?AN edinnu, ?AN UNUG ?  \r\nSealing 5.0 x 4.2 x 3.1. Reverse faces broken. Functional type: ?'\r\n\r\nMoorey (1979) p. 110 no. 567\r\n'Elaborate interlocking geometric design of offering stands and rosettes.\r\nU.14528 : SIS 4-7.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression. Geometrical.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4-7","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":14911,"url":"http://www165.123.244.137/subject/14911/","title":"14556","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14556","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 73 no. 113\r\n'U14556. BM. Moorey 570. Possibly SIS4. H >2.4, L >3.9. Two rollings. Unclear motifs.\r\nSealing 4.7 x 3.0 x 3.4. Smooth peg, di. 3.0. Faint cord impressions. Level base. Functional type: door peg.'\r\n\r\nMoorey (1979) p. 110 no. 570\r\n'Fragment of a complex interlocking linear design ; very curvilinear shapes.\r\nU.14556 : SIS (? 4).'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression. Linear design.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":21991,"url":"http://www165.123.244.137/subject/21991/","title":"14618B","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14618B","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 70 no. 82\r\n'U14618b. BM. Moorey 454 (not the same as UE 3:454). SIS4. H >3.3, L >5.8. Three rollings. Symbols: ?leg cross, ? \r\nSealing 5.2 x 3.4 x 2.4. Coarse string, sg di. 0.6. on reverse. Base level with straw plaster impressions from wall. Functional type: door peg.'\r\n\r\nMoorey (1979) p. 107 no. 454\r\n'In reconstructing this design, Legrrain cites this fragment and 27 others, numbered U.20083. It is impossible to see where this piece ?ts into his reconstructed design. It is almost certainly part of an equally complicated, but independent. geometrical pattern. It illustrates all too clearly the dangers of reconstructing designs of this type in the absence of any guide from comparable cylinder seals.\r\nU.14618 : SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal Impression.  Linear Design. (some resemblance to signs in certain details)","inline_note":"","footnote":""},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15004,"url":"http://www165.123.244.137/subject/15004/","title":"14648","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14648","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 65 no. 26:\r\n'U14648. BM. Moorey 571. Under PG1332, probably SIS4. H >2.2, L >5.8. One rolling. Symbols freely arranged: ?, U4 UR2, animal head, U4 ?UR2.\r\nSealing 6.8 x 4.4 x 2.7. Reverse has curve of di. 12.0 and marks of leather creases surrounded by cord or thong, di. 0.35. Functional type: pot with leather and cord.'\r\n\r\nMoorey (1979) p. 110 no. 571\r\n'A very badly distorted impression of a geometric design rolled on clay originally fixed to the neck of a jar. The surface of the design has been rubbed in places.\r\nU.14648 : under grave PG 1332 at 10","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impresssion.  Linear design.  2 pieces.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"(SIS 4?)  Under PG 1332 10m-10.5m","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15008,"url":"http://www165.123.244.137/subject/15008/","title":"14652","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14652","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 69 no. 63\r\n'U14652. BM. Moorey 577. SIS, ?ndplace uncertain. H >3.9, L >7.5. Two rollings. Unclear motifs: ?edinnu.\r\nSealing 4.7 x 5.5 x 3.8. Smooth peg with ?ared head and base, di. 3.5, with several rows of string, sd di. 0.3, sg di. 0.4, TP 1.3, SSD: Z. Level base. Functional type: door peg.'\r\n\r\nMoorey (1979) p. 112 no. 577\r\n'Fragment of a complicated interlocking linear design with what may be dismembered animal heads set into the design.\r\nU.14652 : SIS","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Elaborate pattern.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS. Find place doubtful.","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15045,"url":"http://www165.123.244.137/subject/15045/","title":"14689","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14689","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 64 no. 18\r\n'U14689. BM. Moorey 573. SIS4. H >2.7, L >6.1. Three rollings. Symbols in at least one register: leg cross, ?DUG3+DU3 (?Kesh), ?, ? UNUG, ? UNUG.\r\nSealing 4.9 x 4.4 x 2.8. Smooth peg, di. 4.0. Two rows of string, sd di. 0.3, sg di. 0.7, TP 1.0, SSD: Z. Base has straw 3 impressions from plastered wall. Functional type: door peg.'\r\n\r\nMoorey (1979) p. 110 no. 573\r\n'Fragmentary impressions of a complex design. U.14689 : NW of A = SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Complicated linear pattern (inscription?)","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"N.W. of A  SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15063,"url":"http://www165.123.244.137/subject/15063/","title":"14707","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Technique","value":"Inscribed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14707","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 70 no. 80\r\n'U14707. BM. Moorey 572. Under PG 1332, SIS4. H >2.7, L >4.9. Two rollings. Symbols: ?edinnu, ? \r\nSealing 4.4 x 4.1 x 2.0. Smooth peg. di. 2.0. Five rows of string, sd di. 0.2, sg di. 0.25, TP 0.4, SSD: Z. Functional type: door peg.'\r\n\r\nMoorey (1979) p. 110 no. 572\r\n'Fragment from the neck of a vessel bound round with string ; part of an intricate geometric design.\r\nU.14707 : SIS 4 under grave PG 1332 at 10","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression. Inscription? Little legible.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"(SIS 4)  Under PG 1332  10m-10.5m","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15155,"url":"http://www165.123.244.137/subject/15155/","title":"14799","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14799","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 72 p. 108\r\n'U14799. BM. Moorey 578. SIS, findplace uncertain. H >2.6, L >4.6. Two rollings. Symbols: ?, ?UNUG, ?\r\nSealing 4.0 x 2.6 x 2.1. Smooth peg, di. 3.5, with cord impressions. Functional type: door peg.'\r\n\r\nMoorey (1979) p. 112 no. 578\r\n'Clay fragment from the neck of a vessel bound with string ; intricate, involuted geometric design. U.14799 : SIS","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Linear pattern (whorl)","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS. Place uncertain.","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15187,"url":"http://www165.123.244.137/subject/15187/","title":"14830","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14830","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 71 no. 92\r\n'U14830. BM. Moorey 564. SIS4, 5, 6 or 8. H >2.6, L >4.6. One rolling. Symbols: ?leg cross, ? \r\nSealing 4.6 x 3.2 x 0.9. Reverse broken. Functional type:'\r\n\r\nMoorey (1979) p. 110 no. 564\r\n'Fragment of a very closely set geometric design.\r\nU.14830 , with U.14829, 14831-2 : SIS 4, 5, 6 or 8.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Linear design.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4, 5, 6, or 8","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15188,"url":"http://www165.123.244.137/subject/15188/","title":"14831","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14831","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 72 no. 110\r\n'U14831. BM. Moorey 565. SIS4. 5, 6 or 8. H 2.2, L >3.8. One rolling. Symbols: ?leg cross, ?edinnu\r\nSealing 4.5 x 3.2 x 2.5. String impressions on reverse, sd di. 0.3, sg di. 0.4. TP 0.8, SSD: Z. Base has clear split-reed matting impressions. Functional type: reed matting package.'\r\n\r\nMoorey (1979) p. 110 no. 565\r\n'Distorted rolling of a very sharply cut geometric design.\r\nU.14831, with U.14829-30, 14832 : SIS 4, 5, 6 or 8.\r\nAppears to be from a package rather than a jar or other vessel.\r\nThe very sharp cutting of a number of the cylinders which made these impressions is striking, but impossible to catch in a drawing ; even photographs give only a very vague impression of this technique (cf. for example, UE III, Pl. 47. 269, Pl. 49. 329).'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Linear design.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4, 5, 6, or 8","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15240,"url":"http://www165.123.244.137/subject/15240/","title":"14882","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14882","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 67 no. 39\r\n'U14775, BM 1930.12.13.424. U14825, BM 1920.12.13.434. U14882, BM. U18413a, UM 33.35.415. U18413b, UM 33.35.408. UE 3:281. Moorey 593. All SIS4. H 2.8, L 5.65. Complete impression surviving. One register of motifs: lizard, ?AN, ?scorpion, six-pointed UB, man.\r\nU14882. Sealing 6.2 x 5.3 x 3.8. Two rollings and one stamp impression. Reverse distorted with ?nger indentations. Functional type: ?'\r\n\r\nMatthews (1993) p. 67 no. 39a\r\n'U14775, U14825, U14882, U18413a, U18413b. Di. 1.8, circ. 5.7. Poorly executed eight-pointed rosette.'\r\n\r\nMoorey (1979) p. 114 no. 593:\r\n'A very badly distorted impression ; apparently two rollings from the same seal one above the other. The upper impression is surcharged with an irregular seven-pointed star. The seal design consists of rather stylized scorpions below a criss-cross pattern.\r\nU. 14882: SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.  Geometrical (possibly signs?)","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"}]},{"id":15244,"url":"http://www165.123.244.137/subject/15244/","title":"14886 | 1930,1213.404","control_properties":[{"property":"Museum","value":"British Museum","inline":"","footnote":""},{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"14886","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 66 no. 32:\r\n'U14122, IM 120934. U14123a, BM. U14123b, UM 31.16.670. U14886, BM 1930.12.13.404. UE 3:389. Moorey 389. All SIS4. H >4.4, L >9.5. Symbols: ?reed shrine ?UB, ?, ?UR2.\r\nU14886. Sealing 7.6 x 6.1 x 4.9. Two rollings and one stamp impression. Reverse distorted, but with faint string impressions. Base level. Functional type: door peg.'\r\n\r\nMatthews (1993) p. 66 no. 32a:\r\n'U14122, U14886. Di. 2.3, circ. 7.2. Six-pointed rosette.'\r\n\r\nUE 3 p. 36 no. 389:\r\n'The oldest picture of the Sumerian reed shrine, brick tower with receding stages, and minor\r\n\r\nhuts and shrines. The whole is engraved with characteristic details which deserve attention. The bundles of reed which are the frame of the hut are bent over, tied together, and form a naturally arched roof. Some of the terminals are left protruding over the entrance and are built on either side into the shape of monumental horns with huge scrolls and volutes between. Our hut is very like the byre represented on the well-known Warka trough (cf. No. 34). The same reed horns, but curving inwards, are found on the Louvre fragment AO. 8842, where the volutes are replaced by three masts adorned with six balls each. The researches of R. P. Dougherty (Annual of A.S.O.R., 1925-6, Fig. 62) have shown how the same reed and matting construction is preserved to the present day in modern Iraq. And the fragments of mud plaster found at Ur near the virgin soil in Pit F prove that the origin of the custom can be traced back to the first settlers. In our case the horn and volute decoration on the top of the hut bears a curious resemblance to the oldest Sumerian crown made of one pair of horns with feathers between. The Great House, which is a title of the kings of Egypt, may have been claimed by the old Sumerian rulers, and even may be interpreted as the first element of a pictographic inscription.\r\n\r\nThe door of the shrine brings us one step nearer in our interpretation. It is almost an oval divided by four horns into four quarters. This division into four parts is essential in a series of curious pictographs on the following seals. In the sign index this pattern may be identified with the sign UB, the very sign used in the royal inscriptions to designate, in a somewhat obscure title, a power extending to the 'four corners of the world'. These four corners may be simply the four points of the compass. The sense of orientation is as old as man. It is well known that nearly all Sumerian and Babylonian buildings follow the rules of orientation, with one angle pointing east. This may prove a key to a truer interpretation of the Swastika, a design as old and universal as the sense of orientation, the whole world being limited to the circle of the horizon, with four pillars or horns supporting the sky at the four points of the compass.\r\n\r\nNext to the shrines, the brick towers on an artificial platform are a permanent feature of all Sumerian temples. Our drawing shows the details of the platform, recessed walls and stages, ramps of access, and crowning emblem-a spread eagle (?). The origin and meaning of the towers is still a moot question, but as the seat of a divine power they must belong to the same primitive cosmology as the orientated shrine.\r\n\r\nRound the two main buildings are grouped smaller huts of two types; one is arched over, the second ends in a sharp point with side buckles or horns. They may be identified in the sign index with the signs DUL, AB, and UNU, which are used to write the ideographic names of many cities and dwellings, in this case of minor importance and dependent on the main shrine. There is also a minor shrine with curved horns, and three small poles between.\r\n\r\nU. 13894, U. 14122, U. 14836, U. 14123. SIS 4. P1. 51. (P. CBS. 31.16.670.)'\r\n\r\nMoorey (1979) p. 107 no. 389:\r\n'This is a redrawing of the central part of the design which Legrain recon- structed and interpreted as a ziggurat. Though the revised version does not differ fundamentally from Legrain's, it calls attention to the fact that he rendered the design more regularly and symmetrically than the rollings allow. In doing so he gave it an architectural form which is unjustified. If it reflects a structure, as indeed seems probable, the inspiration was the patterned end of a large reed-hut (cf. W. Thesiger, The Marsh Arabs (1964), PL 94-5), rather than superimposed mud- brick structures on a platform. Legrain did not notice the  curving gable  which extends across the top of the design.\r\n\r\nU. 14233: SIS 4.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impressions.  2 pieces. Mostly geometical designs?  Sign D D occurs.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"A? SIS 4","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Museum Number (BM Registration Number)","property_value":"1930,1213.404","inline_note":"","footnote":""}]},{"id":15409,"url":"http://www165.123.244.137/subject/15409/","title":"15036","control_properties":[{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"08: 1929-1930","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Museum","value":"British Museum","inline":"","footnote":""},{"property":"Object Type","value":"Tablet","inline":"","footnote":""},{"property":"Technique","value":"Inscribed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"15036","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Moorey (1979) p. 112 no. 579:\r\n'Fragment design apparently surcharged at the right with a stamp-seal design, also geometric in form. \r\nU.15036: findplace uncertain (SIS 4 type).'\r\n\r\nMatthews (1993) p. 69 no. 58\r\n'U15036. BM. Moorey 579. PG. H>3.2, L>3.0. One rolling and one stamp impression. Symbols: ?URI3, edinnu.\r\nSealing 5.4 x 4.4 x 4.0. Reverse has slight curvature and faint crease impressions. Functional type: probable pot.'\r\n\r\nMatthews (1993) p. 69 no. 58a\r\n'U15036. Di. 2.7, circ. 8.48. Unclear linear\r\ndesign.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Seal impression.\r\nLinear pattern.\r\nfrom cylinder seal \r\nand from stamp.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"PG. Place uncertain","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Tablet ID Number","property_value":"P338236","inline_note":"","footnote":""}]},{"id":19785,"url":"http://www165.123.244.137/subject/19785/","title":"18399A | 33-35-300","control_properties":[{"property":"Museum","value":"University of Pennsylvania Museum","inline":"","footnote":""},{"property":"Object Type","value":"Seal Impression","inline":"","footnote":""},{"property":"Season Number","value":"11: 1932-1933","inline":"","footnote":""},{"property":"Technique","value":"Impressed","inline":"","footnote":""},{"property":"Material","value":"Unfired","inline":"","footnote":""}],"free_form_properties":[{"prop":"U Number","property_value":"18399A","inline_note":"","footnote":""},{"prop":"Description (Modern)","property_value":"Matthews (1993) p. 67 no. 44\r\n'U13880a, BM. U13880b, UM 31.16.615. U18399, UM 33.35.300. UE 3:461. Moorey 461. All SIS4. H 3.5, L 8.2. Complete impression surviving. Symbols: spouted pot, edinnu, ? \r\nU18399. Sealing 6.0 x 6.8 x 3.5. One rolling. Reverse has impression of collared rim, neck and shoulder of vessel, neck di. 10.0. No trace of covering over pot. Functional type: pot without covering.'\r\n\r\nUE 3 p. 24 no. 461\r\n'An elaborate edinnu motive, with six pairs of horns between huge clubs or legs and a border of lozenges. A Swastika in a circular enclosure.\r\nU. 13880. SIS 4. Pl. 56. (P. CBS. 31.16.615.)\r\nU. 18399. Pit W. SIS 4-5.'","inline_note":"","footnote":""},{"prop":"Description (Catalog Card)","property_value":"Clay jar sealings, Fragments of. Impressed with complicated linear designs in fine raised lines.","inline_note":"","footnote":"Woolley's description"},{"prop":"Find Context (Catalog Card)","property_value":"PG Pit W SIS IV-V","inline_note":"","footnote":""},{"prop":"Material (Catalog Card)","property_value":"Clay","inline_note":"","footnote":"Material as described by Woolley"},{"prop":"Museum Number (UPM Date Reg Number)","property_value":"33-35-300","inline_note":"","footnote":""}]}]