Omeka Title: PA-DI-B10-F005-005c-1930.jpg     
Omeka ID: 6429     
Transcription: (letterhead of the Thackery Hotel)2tomb- as Philadelphia received one gold dagger Past year, it seems more natural that they should keep the gold dagger this year- But then the silver cup seems to tempt them very much and they cannot make up their mind. Besides we have a claim because a bronze stag unpacked Past year and supposed to be very bad turns out to be acceptable exhibition objectThe rest includes three skeletons lots of painted and unpainted dolls- lots of painted pottery- some bad stone vases, and mumerous     
Media Title: Ur Notebook Scan -- 1930 - Box: 10 Folder: 5 - Page: 005c     
Page Number: 005c     
Project: DI     
Date: 1930     
Author: Leon Legrain     
Penn Archival Box Number: 10     
Penn Archival Folder Number: 5     
Crowdsource Tags: DoF, handwritten, Legrain     

People: Ur Notebook Scan -- 1930 - Box: 10 Folder: 5 - Page: 005c | Ur Notebook Scan -- 1930 - Box: 10 Fol Export: JSON - XML - CSV

People Full Name Biography
Leon Legrain Father Legrain was born in France, ordained as a priest there in 1904, and studied at the Catholic University of Lille and at the Collegium Appolinare in Rome. Assyriology professor at the Catholic Institute in Paris until WWI, he was then an interpreter in the war. He became curator of the Babylonian Section of the University of Pennsylvania Museum in 1920 and retired in 1952. A specialist in cuneiform, he was the epigraphist at Ur during the 1924-25 and 1925-26 field seasons. He published widely on texts and engraved seals, both in his time before the Penn Museum and after. He published seals and sealings from Ur (Ur Excavations volume 10), some of the tablets (Ur Excavations Texts volume 3) and was slated to publish a volume on the figurines from the site. His research and even an unpublished catalogue for this volume are in archives at the Penn Museum and now available on this website. Even after his two years at the site of Ur, Legrain played an integral role in the excavations. Not only did he research, publish, and display artifacts in the Penn Museum, but he was also the Museum's representative in the division of objects from Ur conducted almost every year in London. Legrain's letters about this process are very interesting, often in a more personal tone than Woolley's. In fact, many of his colleagues declared that Legrain was particularly entertaining and jovial, if cynical. His photographs at Ur are some of the only images we have of daily life, with many pictures of local Iraqis.
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