Manufacture

This group of techniques contains terms that are used in the creation of objects.

Objects: Manufacture Export: JSON - XML - CSV

U Number	Museum Number (UPM Date Reg Number)	Museum Number (BM Registration Number)	Museum Number (UPM B-number)	Description (Catalog Card)
15398	31-16-736	(none)	(none)	Clay figurine. The head only. On the high headress(?) traces of black bands: the face painted bright red. [drawing 1:1]
15356A	31-16-735	(none)	(none)	Baked clay figurine. 2 fragments from similar figure. Green clay with black paint. Nude female figure with painted waist-band. The modelling of the lower part is unusually free and round. [drawing]
15379	31-16-734	(none)	(none)	Clay figurine. Female figure, nude, with hands on waist. She wears a high headdress, or high coiffure, originally covered with bitumen: traces remain of black apint in the eyes and of red paint on the cheeks.
15385	31-16-733	(none)	(none)	Terracotta figurine. A nude female standing, with the hands resting on the waist. The high head is covered with bitumen to represent hair (this preserved).
(none)	30-12-547	(none)	(none)	[Unknown]
(none)	30-12-546	(none)	(none)	[Unknown]
(none)	30-12-545	(none)	(none)	[Unknown]
(none)	30-12-544	(none)	(none)	[Unknown]
(none)	30-12-542	(none)	(none)	[Unknown]
12753A	30-12-541	(none)	(none)	[A-B] Clay 'rattles' [drawing]
12435B	30-12-484	(none)	(none)	[A] Copper bull's head and shell plaques [B]. From a wooden harp. The head (?) that of a calf rather than a bull is in good condition except that the horns are both damaged: the eyes are of lapis and shell and a triangular piece of lapis is inlaid in the forehead. The collar was of white shell triangles and lapis square. The shell plaques have, above, 3 rows of geometric design, each row on a separate strip of shell: then a figure scene, a single strip of geometrical design, another figure scene and 2 strips of geometrical design at the base. The figure scenes are in the mosaic, the white shell figures silhouetted against a composite background of lapis. In upper, a figure seated left holds in his raised right hand a cup while an attendant stands before him. In lower scene, 2 figures advance right, each with his hands raised and clasped in front of him. All the figures wear the fleeced skirt with a belt which forms a tail-like tassel behind: all are clean shaven as to the face but the standing figure s have a lock of hair hanging down the back of the head.
6402	30-12-156	(none)	(none)	Clay vase. Light drab. Glazed. Type CCXXXVII [in album. Persian. crossed out] =P.126.
7	(none)	(none)	(none)	Clay pot. Wheelmade. Creamy pink clay worked onto surface to creamy white engobbage. Round base. Type II.
8	(none)	(none)	(none)	Clay pot. Rough red brick-clay, wheelmade. Type VII.
9	(none)	1923,1110.72	(none)	Clay pot. Fine red clay, wheelmade, with bright hematitic slip. Pointed base. Type I.
10	(none)	(none)	(none)	Clay pot. Red clay, fine, wheelmade, with creamy white engobbage partly flared to red. Pointed base. Type I (v.).
13	(none)	(none)	(none)	Clay vase. Ampulla type. Fine red clay, natural surface. Wheelmade. Type IV.
14	(none)	(none)	(none)	Clay pot. Drab clay, wheelmade, broken. Type VIII.
15	(none)	(none)	(none)	Clay bowl. Creamy drab clay, wheelmade, with natural surface slightly worked up. Type VI.
16	(none)	1923,1110.82	(none)	Clay bowl. Pinkish drab clay with creamy engobbage. Wheelmade. Rounded base. Hole drilled through side. Type V.
17	(none)	(none)	(none)	Clay vase. Light red rather fine clay, natural surface. Wheelmade. Upper part broken. Type XXX.
18	(none)	(none)	(none)	Clay saucer. Fr. of. Drab clay with creamy engobbage. Wheelmade. Type IX.
25	(none)	1923,1110.95	(none)	Clay model bed. Greenish clay and mattress pattern in relief. [drawing] [Annotated] Photo 38
37	(none)	(none)	(none)	Axe, bronze. Broken. [drawing 1:2]
49	(none)	(none)	(none)	Clay vase. Reddish clay, wheelmade = turning lines on shoulder. Type XXXVII.