Molded
Technique of creating an object by pressing or pouring a material into a mold.
Molding is a process of creating an object by pressing or pouring a material into a mold. A mold is a hollow form or matrix for giving a particular shape to something in a molten or plastic state.
Objects: Molded Export: JSON - XML - CSV
| Object | U Number | Museum Number (UPM Date Reg Number) | Museum Number (BM Registration Number) | Museum Number (UPM B-number) | Description (Catalog Card) |
|---|---|---|---|---|---|
| 16489 | (none) | 1931,1010.458 | (none) | Terracotta Mask. Puzuzu head, with much lines detail. Complete and in good condition. Type XIV, 10 [drawing 1:1] | |
| 12624 | (none) | 1928,1010.811 | (none) | Terracotta mask. Grotesque. Head of Puzuzu. Perforated on either side of eye to allow of attachment to some other material. [drawing 1:1] | |
| 1229 | (none) | 1924,0920.375 | (none) | Terracotta model of a bearded man holding a kid before him. The upper part of head is missing. [drawing] Photo 174 | |
| 7064 | (none) | (none) | B16269 | Terracotta mould. Enthroned figure - female? Wearing flounced Kaukenes skirt. E. | |
| 18206 | 32-40-46 | (none) | (none) | Terracotta mould. For a relief. Standing god, in long robes, holding whip, standing on a beast, perhaps a sirrus. Feet and body of animal broken away. | |
| 18565 | 33-35-64 | (none) | (none) | Terracotta mould. For making a figurine of a nude standing female figure (entirely encrusted with salt) | |
| 6939 | (none) | (none) | B16268 | Terracotta mould. Fragmentary. Broken at bottom. Seated goddess feat resting on goose and second goose standing at right hand side. Cf. terracotta figurine identical in subject with this mould though not actually produced from it. E. | |
| 1217 | (none) | 1924,0920.99 | (none) | Terracotta moulded relief of naked goddess, both hands holding breasts: head missing. [drawing] | |
| 3280 | (none) | 1927,1003.149 | (none) | Terracotta object. Bellows shape, pierced with holes. [drawing 1:1] | |
| 6544 | (none) | 1927,0527.247 | (none) | Terracotta pig. E. | |
| 2939B | (none) | 1927,1003.144 | (none) | Terracotta pig. Head missing. (B) Has snout and eye. Sketch less than 1:1 [drawing] | |
| 15749 | 31-16-914 | (none) | (none) | Terracotta plaque. 2 figures, full face - in high relief. A bearded male deity and a goddess wearing high horned headdress, earrings? Necklace consisting of 3 strings of beads, and pleated coat which leaves right shoulder exposed. Right arm of goddess rests against left shoulder of god. Fragment: head only of god, goddess missing below waist. | |
| 15718 | (none) | 1933,1013.215 | (none) | Terracotta plaque. Fragment, head missing. Goddess in flannel kaukanes skirt holding a long necked vase from which water flows on either side. The vase rests on a low stool. Goddess is seated on a throne behind which is a goose. Bau type. | |
| 15713 | 31-16-942 | (none) | (none) | Terracotta plaque. Fragment. Lion in profile. Head missing -curling tail. | |
| 15714 | 31-16-777 | (none) | (none) | Terracotta plaque. Lion in profile. Head missing-curling tail. | |
| 15711 | (none) | 1930,1213.328 | (none) | Terracotta plaque. Pair of demons, both standing-full face. One a bearded male, the other a female: both wearing flannel kaukanes skirts, the male figure carries a flabellum(?). | |
| 8113 | (none) | (none) | B17212 | Terracotta plaque. Bottom half missing. In low relief. Two upright figures heavily draped and wearing conical headdresses stand with hands upraised facing either side of vertical post. Post is broader below than above. It has a narrow neck and a concave top broader than the neck, supporting what may be a crescent moon? Behind each standing figures a mace with a rounded head, fixed vertically in the ground. [drawing 1:1] | |
| 7582 | (none) | 1928,1009.464 | (none) | Terracotta plaque. Cast from mould of a deity in an arched shrine. [Drawing 1:1] Sides of the shrine are formed of two columns, the shafts covered with rows of minute dots in relief, the capitals squared and decorated with a rosette. The arched supported by them is rather flat, the sides of the soffit straight below but curved in the centre: the straight sides make an angle of 135 degrees, the central curve corresponds to a segmental swelling in the face the crown of the arch. On this face of the arch are two rows of lines, resembling brickwork; on the segmental swelling these are radial, on the straight sides at right angles to the soffit. Above the arch is a flat calathus-shaped drama with 2 smaller rings above. The figure it shown full face. The impression from the mould is bad especially in the middle of the figure which projects considerably; here are all detail is missing. It is difficult to say whether the figure is intended to be seated or standing. The face, full and oval, has no beard and is presumably that of a female; the hair is lost against the crown of the arch. The drapery is shown by a series of crescent-shaped curves, rather sharply pointed over the breast and fuller and rounder below; it starts high on the neck and comes low down, covering the feet if the figure is meant to be seated, reaching halfway down the calf as if it is standing; below the last curve vertical rows of small dots (like those on the columns) cover the whole field; these might be the skirt of an undergarment (if the figure is standing) or might represent the floor under a seated figure. From the defaced middle part of the body there rise, in high relief against the drapery, two pointed objects; these look at first sight like the ends of a short stole; but they are more probably attributes held in the two hands - but neither hands nor arms are visible on the relief. On either side of the figure, between it and the columns, is a vertical band of circular rosettes, with a similar rosette on each shoulder; a narrow band in relief, running along their inner edge, connects theese and seems to pass behind the head (as though the two small sections of it between the last rosettes and the ears might alternatively be earrings or the ends of culs): the effect is that of a garland festooned below the arch. A row of dots in high relief, running right across the plaque below the column bases, forms the ground of the relief. [drawing 1:1] | |
| 6758 | (none) | 1927,0527.236 | (none) | Terracotta plaque. Fragment. Fighter trampling a fallen warrior. E. | |
| 7676 | (none) | 1928,1009.466 | (none) | Terracotta plaque. Fragment. Top portion missing. 2 maile figures clad in short tunics and standing on either side of entrance to shrine? Each grasps the ribbed door post in one hand. [drawing 1:1] | |
| 7537 | (none) | 1928,1009.465 | (none) | Terracotta plaque. Fragmentary and in poor condition. 2 gods in profile facing one another. God bearded and wearing high headdress, supports an axe? with a curved handle, head of axe resting on left shoulder left forearm parallel with ground. God has a very pronounced Jewish nose. Upper part of goddess fragmentary, both wear flounced kaunakes skirt, left shoulders bare. [drawing 1:1] | |
| 7111 | 47-29-159 | (none) | B16266 | Terracotta plaque. Fragmentary. Bearded god? Seated on a bull left arm bent at elbow and holding an object right hand held against breast. E. [drawing 1:1] | |
| 3056 | (none) | 1927,1003.159 | (none) | Terracotta plaque. Showing goddess seated on bull, holding bird in left hand, crescent on pole at back and nude bull-headed man facing her. [drawing 1:1] | |
| 18619 | (none) | 1933,1013.187 | (none) | Terracotta releif of bearded male figure, with headdress falling down on each side, holding two objects over his chest, feet broken off. | |
| 8555 | (none) | 1928,1009.463 | (none) | Terracotta relief Head missing: male figure, bearded, a dancer right: club in right hand: short skirt to knees. Surface poor. [drawing 1:1] |
Related Terms
Child Terms
Casting - Modeled - Modeled in the Round - Mold Pressed - Negative mold - Positive Mold