Impressed
Technique of decorating a surface by pushing another object into the surface.
A process of decorating a surface by pushing another object into the surface, like a stamp or seal.
Objects: Impressed Export: JSON - XML - CSV
| Object | U Number | Museum Number (UPM Date Reg Number) | Museum Number (BM Registration Number) | Museum Number (UPM B-number) | Description (Catalog Card) |
|---|---|---|---|---|---|
| 584 | (none) | (none) | (none) | Clay fragment with two impressions of a seal. Showing from left to right a goddess with both arms held up in adoration, and a figure like that of Amurru. | |
 | 391 | (none) | (none) | (none) | Clay fragment. Probably of jar-sealing, with seal impressions showing crosses, animals, etc. Found TTB26 see U381 |
| 574 | (none) | (none) | (none) | Clay fragment. Seal impression showing figure of worshipper being introduced and four line inscription "Azag-Nannar, the scribe, the secretary, son of Nannar-du-ul-a..., priest of Nannar." |
| 576 | (none) | (none) | (none) | Clay fragment. Seal impression with three-line inscription, standing figures either side. Seal of RU(?)-AB-KI-A-RA-? Son of Ibi-Sin, servant of AN-AN(MAR-TU). Duplicate of U.582. | |
| 957 | (none) | (none) | (none) | Clay fragment. Seal impression, showing standing figures. | |
| 735 | (none) | (none) | (none) | Clay fragment. Showing part of 1-figure from seal impression. See U.711. Placed in IN/No. 8. |
| 981 | (none) | (none) | (none) | Clay fragment. With seal impression, showing standing human figure holding an animal by the tail, and two line inscription. | |
| 944 | (none) | (none) | (none) | Clay fragment. With seal impression, traces of 1 line inscription and a single figure. Placed in IN/No. 8. | |
| 956 | (none) | (none) | (none) | Clay fragment. With seal impressions showing animals and animal-men fighting. See U.955. |
| 948 | (none) | (none) | (none) | Clay fragments with seal impressions, including that of Ibi-Sin, King of Ur. See U.598. |
| 927 | (none) | (none) | (none) | Clay fragments. Showing portion of seal impression. A figure resembling the god Amurru behind a female deity. See U929 | |
| 17448 | (none) | 1931,1010.79 | (none) | Clay impression. Unbaked. Of bull running, tail up, head down. Outline of body done as a dot border. Style similar to that of bulls on the Ishtar Gate. Fine workmanship. Figure of bull is complete, but the plaque on which it is impressed is a fragment, one side of which is missing. |
| 18490 | 33-35-465 | (none) | (none) | Clay jar sealing (fragment) with impression of seal apparently in script (black) [drawing] |
| 18403 | 33-35-331 | (none) | (none) | Clay jar sealing, fragment of. Bearing a very clear impression of the cloth which was wrapped round it. | |
| 18405 | 33-35-344 | (none) | (none) | Clay jar sealing, fragment of. With elaborate design including human figures. | |
| 18412 | 33-35-389 | (none) | (none) | Clay jar sealing. Fragment of. Scene of soldiers marching. |
| 18411 | 33-35-388 | (none) | (none) | Clay jar sealing. Fragment of. Scene of two men with pots etc. | |
| 18398 | 33-35-297 | (none) | (none) | Clay jar sealing. Fragment of. Stamped with linear design apparely including script elements. Good example. | |
| 18410 | 33-35-387 | (none) | (none) | Clay jar sealing. Fragment of. With scene of two men fighting: pots and a gazelle. |
| 18399A | 33-35-300 | (none) | (none) | Clay jar sealings, Fragments of. Impressed with complicated linear designs in fine raised lines. | |
| 18413A | (none) | (none) | (none) | Clay jar sealings. Fragment of unclassified designs, mostly with men and animals. |
| 18413B | 33-35-415 | (none) | (none) | Clay jar sealings. Fragment of unclassified designs, mostly with men and animals. | |
| 18413C | 33-35-423 | (none) | (none) | Clay jar sealings. Fragment of unclassified designs, mostly with men and animals. | |
| 18413D | 33-35-427 | (none) | (none) | Clay jar sealings. Fragment of unclassified designs, mostly with men and animals. |
| 18408A | 33-35-377 | (none) | (none) | Clay jar sealings. Fragments of impressed with design of animals playing musical instrumentes. |