The University of Pennsylvania Museum of Archaeology and Anthropology is an educational and research institution dedicated to the understanding of cultural diversity and the exploration of the history of humankind.  This museum funded half of the Ur excavations, and as such has approximately 1/4 of the objects from Ur.  

 

Objects: University of Pennsylvania Museum Export: JSON - XML - CSV Clay Seals and Sealings

Object U Number Museum Number (UPM Date Reg Number) Museum Number (BM Registration Number) Museum Number (UPM B-number) Description (Catalog Card)
18399F (none) (none) (none) [A-F] Clay jar sealings, Fragments of. Impressed with complicated linear designs in fine raised lines.
18401D (none) (none) (none) [A-L] Clay jar sealings. Fragments of. With impressed decoration designs, mixed types.
18404S (none) (none) (none) [A-S] Clay jar sealing. Fragment of. With impressed designs, apparently of milking scene (not all from the same seal) and round topped huts.
18407O (none) (none) (none) [A-Q] Clay jar sealings. Fragments of impressed with designs of fighting animals.
18413A (none) (none) (none) Clay jar sealings. Fragment of unclassified designs, mostly with men and animals.
18413AH (none) (none) (none) Clay jar sealings. Fragment of unclassified designs, mostly with men and animals.
18413AL (none) (none) (none) Clay jar sealings. Fragment of unclassified designs, mostly with men and animals.
18413Z (none) (none) (none) Clay jar sealings. Fragment of unclassified designs, mostly with men and animals.
18550C (none) (none) (none) [A-O] Clay jar sealing. With seal impressions (various)
234 (none) (none) B15272 Cylinder seal. Dark steatite. Scratchily engraved with 2 versions of a man fighting with a rampant lion. Poor.
368A (none) (none) B14964 [A] Stone mould, broken, for making clay figurines. Scene: a god seated on a stool wearing the seven-horned cap, with left arm and hand stretched out towards a standing figure in a plain robe wearing a single horn: above two crescents. (B) Second fragment; female figure standing upright (Baghdad)
487 (none) (none) B15256 Chalcedony seal. Same shape as U.486. Subject [referencing drawin] [drawing]
496 (none) (none) B15255 Scarab. Green glaze. Inscr. [drawing]
497 (none) (none) B15250 Scaraboid. White steatite. inscr. [drawing]
6002 (none) (none) B16287 Cylinder seal. Grey steatite. Below, figure Gilgamesh? prostrate above, offering to Ea, heraldic animals, etc. c. BC 2300. ? Brick. VII
6059 (none) (none) B16284, B16284 Cylinder seal. Black steatite. Reception scene, Nannar and minor go and votary, 2 lines of inscription. E. 3rd Dynasty of Ur.
6065 (none) (none) B16300 Cylinder seal. Black steatite. 3 grooves in middle divider scene, seated god and introduction of votary from 4 swans on lower half. About BC 2700. E.
6066 (none) (none) B16292 Seal. Black steatite. Triangular shape scorpion and? Lizard? About BC 2600. E.
6091 (none) (none) B16311 Cylinder seal. Black basalt. Nannar, minor god and votary. E.
6106 (none) (none) B16296, B16296 Cylinder seal. White frit. Unpierced. Inscribed: Lugal-nu-zu aon of E-te-nin-ka ilSin. E.
6122 (none) (none) B16282 Cylinder seal. Black steatite. Broken at one end, subject mostly obliterated.
6133 (none) (none) B16294 Cylinder seal. Lapis lazuli. Upper and lower band showing gazelles passing sacred tree. About 3000 BC. E.
6160 (none) (none) B16286, B16286 Cylinder seal. Black steatite. Not fully paved. Lion attacked by two men 2 lines of defaced inscription. About BC 2100. Required for Vol. VII written.
6253 (none) (none) B16290 Cylinder seal. Grey limestone? Unpierced. Gilgamesh fighting with the bull. About BC 2500.
6255 (none) (none) B16306 Cylinder seal. Black hematite. Shamash with horned mitre and notched sword in hand steps on a crouching bull a worshipper brings a kid as an offering. The god Martu with a short club in hand, short garment and a round woolen turban is followed by a worshipper with clasped hands, and a servant. Two small figures - a bifrons with clasped hands and a nude servant with libation cone in hand. About BC 1900. E.

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