Molded
Technique of creating an object by pressing or pouring a material into a mold.
Molding is a process of creating an object by pressing or pouring a material into a mold. A mold is a hollow form or matrix for giving a particular shape to something in a molten or plastic state.
Objects: Molded Export: JSON - XML - CSV
| Object | U Number | Museum Number (UPM Date Reg Number) | Museum Number (BM Registration Number) | Museum Number (UPM B-number) | Description (Catalog Card) |
|---|---|---|---|---|---|
| 7582 | (none) | 1928,1009.464 | (none) | Terracotta plaque. Cast from mould of a deity in an arched shrine. [Drawing 1:1] Sides of the shrine are formed of two columns, the shafts covered with rows of minute dots in relief, the capitals squared and decorated with a rosette. The arched supported by them is rather flat, the sides of the soffit straight below but curved in the centre: the straight sides make an angle of 135 degrees, the central curve corresponds to a segmental swelling in the face the crown of the arch. On this face of the arch are two rows of lines, resembling brickwork; on the segmental swelling these are radial, on the straight sides at right angles to the soffit. Above the arch is a flat calathus-shaped drama with 2 smaller rings above. The figure it shown full face. The impression from the mould is bad especially in the middle of the figure which projects considerably; here are all detail is missing. It is difficult to say whether the figure is intended to be seated or standing. The face, full and oval, has no beard and is presumably that of a female; the hair is lost against the crown of the arch. The drapery is shown by a series of crescent-shaped curves, rather sharply pointed over the breast and fuller and rounder below; it starts high on the neck and comes low down, covering the feet if the figure is meant to be seated, reaching halfway down the calf as if it is standing; below the last curve vertical rows of small dots (like those on the columns) cover the whole field; these might be the skirt of an undergarment (if the figure is standing) or might represent the floor under a seated figure. From the defaced middle part of the body there rise, in high relief against the drapery, two pointed objects; these look at first sight like the ends of a short stole; but they are more probably attributes held in the two hands - but neither hands nor arms are visible on the relief. On either side of the figure, between it and the columns, is a vertical band of circular rosettes, with a similar rosette on each shoulder; a narrow band in relief, running along their inner edge, connects theese and seems to pass behind the head (as though the two small sections of it between the last rosettes and the ears might alternatively be earrings or the ends of culs): the effect is that of a garland festooned below the arch. A row of dots in high relief, running right across the plaque below the column bases, forms the ground of the relief. [drawing 1:1] | |
 | 7600 | (none) | (none) | B17195 | Lion. Limestone. White. Fragment. Broken away behind back of head represented as couched, head resting on forelegs tips of which are missing. Flattened base. Cavity running length-ways down the middle of the body to receive post. Existing portion broken and mended. |
| 7668 | (none) | 1935,0113.378 | (none) | Terracotta statuette. Water buffalo? Head alone remains, missing below neck. [drawing 1:1] | |
| 7676 | (none) | 1928,1009.466 | (none) | Terracotta plaque. Fragment. Top portion missing. 2 maile figures clad in short tunics and standing on either side of entrance to shrine? Each grasps the ribbed door post in one hand. [drawing 1:1] | |
| 7687 | (none) | (none) | B17210 | Terracotta figurine. Nude female. Hands clasped below breast. Missing below knees. Hair represented by fine parallel raised bands and flowing down at side onto shoulders. [drawing 1:1] |
| 8113 | (none) | (none) | B17212 | Terracotta plaque. Bottom half missing. In low relief. Two upright figures heavily draped and wearing conical headdresses stand with hands upraised facing either side of vertical post. Post is broader below than above. It has a narrow neck and a concave top broader than the neck, supporting what may be a crescent moon? Behind each standing figures a mace with a rounded head, fixed vertically in the ground. [drawing 1:1] | |
| 8323B | (none) | 1928,1009.473 | (none) | [A-B] Two pottery crescents. The larger one [B] with incised marks as below [drawing] 1:1 | |
| 8348A | (none) | (none) | B17228 | [A-C] Three figurines of animals. Roughly modeled in clay. Best example [A]: [drawing 1:1] | |
| 8473 | (none) | 1928,1009.471 | (none) | Terracotta head of female Upper right-hand side of head missing Hair falls down side of head in long tresses Pronounced chin, straight nose and slight ridge in middle of forehead Hellenistic style? [drawing] 1:1 sketch | |
| 8555 | (none) | 1928,1009.463 | (none) | Terracotta relief Head missing: male figure, bearded, a dancer right: club in right hand: short skirt to knees. Surface poor. [drawing 1:1] | |
| 8556 | (none) | (none) | B17205 | Terra cotta relief A god, head full face, body profile left, seated on a ram. Flat rimmed cap, beard elaborately curled: right hand extended open, left holding whip: long open cloak to ankles. Fine example. [drawing 1:1] | |
| 8593 | (none) | 1935,0113.831 | (none) | Figurine. Mud: of a dog? [drawing 1:1] | |
| 8640 | (none) | (none) | B17215 | Clay figurine. Crudely made of reddish clay, the surface covered with a bright dark hematite wash. A row of small holes denotes the main features, but there is also a minimum of relief modelling. [drawing] | |
| 8758 | (none) | (none) | B17204 | Grotesque figure. Baked clay. Hand modeled. Left arm missing. Male? figure, flattened head, pellet eyes, coarse nose, rounded chin; holds vertically against breast an object which looks like a thick stick with a hooked top. Lower part of body hollowed out inside; intended to receive a holder? [drawing 1:2] | |
| 9873 | (none) | 1928,1010.404 | (none) | [Card Missing] | |
| 9975 | (none) | 1935,0113.58 | (none) | Clay Boat [drawing] | |
| 10479 | (none) | 1928,1010.159 | (none) | Plaster Cast Of a hole in the ground above the box in PG 800: the hole was vertical and showed traces of wood: the upper part had been cut away and only the lower part was cast. It seems to have been a wooden wand which was carved to represent a snake coiled around the staff. | |
| 10747 | (none) | 1928,1010.407 | (none) | Terracotta Goddess Fertility charm? Grotesque figure standing obliquely on a flat pedestal. Triangular, beaked nose, circular pellet-shaped eyes, perforated ears. Hair done up in a heavy bun at the back; hair on top of bun represented by linear markings, oblique to the head, divided by a single central line which may represent a parting. Pronounced protruding breasts and deep incision at vagina, right arm held across body below the first and left arm held straight against the latter. Incisions oblique of lines of body at foot of statuette, in front, probably representing fringe of dress. Head broken from body in antiquity and stuck together with bitumen. | |
| 11407 | (none) | 1928,1010.814 | (none) | Terracotta figurine. Head only: moulded. Nude goddess with elaborated coiffure and big earrings. Unusually good modelling. [drawing 1:1] | |
| 11657 | (none) | 1935,0113.59 | (none) | Clay Animal Bull? Headless with scratchins on side of the animal. | |
| 11737 | (none) | 1929,1017.560 | (none) | Pin. Copper with lapis ball head. Type V. |
| 11833 | (none) | 1929,1017.721 | (none) | Clay Boat. Like U.11832 but rougher. | |
| 11840 | (none) | 1929,1017.722 | (none) | Clay Boat. (cf. U. 11832) |
| 11917 | (none) | 1929,1017.632 | (none) | 3 Copper Vessels. (A) Shallow dish, circular with narrow trough spout; (B) similar; (C) A strainer, with handle (broken) | |
| 11918A | (none) | 1929,1017.635 | (none) | [A-C] Copper Tumblers. 10 in all. 3 sets, nested, of 3 each, and of 4. |
Related Terms
Child Terms
Casting - Modeled - Modeled in the Round - Mold Pressed - Negative mold - Positive Mold